The Weighing of the Heart by Colleen
From the first hummed note of ‘Push the Boat Onto the Sand’ to the final echoing cello plucks of the title track, Cécile Schott’s latest is an exercise in swooning beauty. Lullaby-like rhymes and melodies appear and overlap, choral vocals become lost under layers of delicate rhythms. The sampling trickery is subtle and disarming, ‘Ursa Major Find’ and the single-phrase ‘Break Away’ feel at times like sweeter takes on Laurie Anderson’s ‘O Superman’. But the outstanding moments are instrumental: ‘Geometría del Universo’ and particularly ‘Breaking Up the Earth’ channel Arthur Russell’s World of Echo. Colleen succeeds at fusing the sweet and genuinely, unnervingly progressive. Each time I listen to The Weighing of the Heart I fall in love with it all over again.
Drifters / Love is the Devil and Water Park OST by Dirty Beaches
There’s an obscene generosity to the amount of music that Alex Zhang Hungtai has provided in 2013. The Water Park soundtrack is beguiling at first, little more than a hum heard from another room. But I’ve listened to this 28-minute EP countless times and now playing it is like hearing the sound of something remembered from childhood. It’s simple and beautiful.
The double album Drifters / Love is the Devil is another beast, at least at first. The first half represents more familiar Dirty Beaches territory – Suicide casio thumps and rockabilly-from-hell vocals swamped in reverb. This reaches a peak with the compellingly riffy Casino Lisboa, my personal song of 2013. The second half of the CD revisits the same aural soundscapes as Water Park. Less essential, certainly, but packaging Drifters and Love is the Devil together is a throwaway gesture that most artists wouldn’t dare contemplate.
Plays Bee Mask by Donato Dozzy
Bee Mask’s Vaporware EP is pretty great. But this album, in which Italian techno producer Donato Dozzy, remixes the title track again and again over seven tracks, is outstanding. I’ve listened to a lot of ambient music this year, but there are few albums that manage to be both moodily evocative and also lodge themselves in your mind. I get the feeling that the circumstances of this piece couldn’t be replicated.
Collected Works Vol. 1 – The Moog Years by M. Geddes Gengras
More ambient perfection. Sun Araw, Akron/Family and LA Vampires collaborator Gengras fiddles about with Moog Rogue and MG-1 synths and creates something divine. The track ‘10.17.2009 (for CCG)’ is an aural swoon.
Other albums in the mix
Shaking the Habitual by The Knife, for its bloodymindedness, magnificent bloat and a handful of thumping pop hits. The entire Mallet Guitars series by Ex-Easter Island Head, culminating in this year’s Mallet Guitars Three, all EPs together forming an essential album. Exit! By Fire! Orchestra, some of the most terrific free jazz, despite being tricky to schedule into a working day. And finally, The Space Lady’s Greatest Hits, long-awaited and wonderful.
Live at Skymall by Groupshow – like many of my favourite albums this year, a listen that merges with whatever activity you’re doing. P.A./Hard Love by Marina Rosenfeld, a surprising favourite given its abrasive unpredictability, but totally compelling. No More War by Wareika Hill Sounds for chilled, alien trombone tunes.
Favourite record labels
Thrill Jockey (new releases from Matmos, People of the North, Mouse on Mars’ Jan St. Werner, Sidi Touré). Room 40 (Bee Mask, Marina Rosenfeld), Touch (Chris Watson, Rosy Parlane, Mika Vainio, Bruce Gilbert & BAW) Hospital Productions (Vatican Shadow, Rainforest Spiritual Enslavement, Alberich).
Favourite albums overall, new to me, from any year
Suicide (Suicide, 1977), an album that made me furious that nobody had introduced the band to me before. Womblife (John Fahey, 1997), produced by Jim O’Rourke and featuring some of the wonkiest sounds imaginable. Moondog & His Friends (Moondog, 1953) , an eye-opening account of the Viking of Sixth Avenue. I Am Sitting in a Room (Alvin Lucier, 1981), a simple sonic experiment that morphs into something intangible and ethereal. Illuminations (Buffy Sainte-Marie, 1969), apparently abandoned by the artist but superb and alien. Strumming Music (Charlemagne Palestine, 1974), another experiment with warmth and humour. We’re Only In It For the Money (Frank Zappa & The Mothers of Invention, 1968) – batshit insane. Everybody Knows This Is Nowhere (Neil Young & Crazy Horse, 1969) – everybody else loves this album already, evidently, and it was mostly familiar to me, but hearing the tracks together was a revelation. And, already mentioned above, The Weighing of the Heart (Colleen, 2013) and Drifters / Love is the Devil (Dirty Beaches, 2013) are the two albums that stand out this year.