Firstly, it’s been more a year for albums rather than individual songs. Even though my longlist is 41 tracks and 4.5 hours, I’m being strict with myself for this list by not including tracks to represent albums I love, if the track doesn’t stand alone. So nothing from Oren Ambarchi’s Quixotism (Part 3 came close, but is far more glorious in the context of the album). I’m also disallowing tracks from compilations and rereleased albums, therefore it’s a no-show for the Soul Jazz Gipsy Rumba or Strut Haiti Direct compilations, Finders Keepers’ Lewis album, or the rerelease of Aby Ngana Diop’s Liital.
So it’s a pretty pared-down list. Only eight tracks remain, though two of them are well over the 10-minute mark:
- I Have Walked This Body by Jenny Hval & Susanna
- Advice to Young Girls by Copeland ft. Actress
- CIRCLONT6A[141.98][syrobonkus mix] by Aphex Twin
- Hidden Thieves by Eyes & No Eyes
- Nothing Important by Richard Dawson
- Body Sound by Holly Herndon
- Pretending by Mice Parade
- Speech Spirits by FIS (The Nagger remix by Oren Ambarchi)
Here’s a Spotify playlist:
OK, so I keep a log of all the new stuff I listen to. Doesn’t everyone do that? Up until today I’ve listened to 589 unique albums, 98 EPs and 41 singles this year – that’s 728 releases in total.
354 of these titles were released in 2014. This chart shows the release years, ordered by listening date:
254 releases were by artists from the USA, 204 from the UK. Germany’s next in the list with 37 releases, then Australia with 23, then Sweden with 18. I listened to artists from 55 different countries in total.
But that’s just the releases that were new to me. I don’t log everything I listen to. That would be crazy.
Most of my listening was via Spotify. The site’s ‘Year in Music’ tells me that my most-listened genres were experimental, drone, glitch, warm drone, post-rock. Sounds about right.
Apparently I’ve listened to 38,739 minutes of music on Spotify this year, which certainly justifies the £10/month payment.
That’s 645 hours. That’s 27 whole days.