Well! I’m very – no, ridiculously – pleased to announce that Donna Bond has selected one of my stories for inclusion in BEST OF BRITISH SCIENCE FICTION 2017, which will be out in April from NewCon Press. And would you look at that lineup! Honestly, I’m feeling faint at seeing my name listed alongside these authors.

  1. Blinders – Tyler Keevil
  2. In the Night of the Comet (2017) – Adam Roberts
  3. The Walls of Tithonium Chasma – Tim Major
  4. 3.8 Missions – Katie Gray
  5. Over You – Jaine Fenn
  6. The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself – Matt Dovey
  7. Uniquo – Aliya Whiteley
  8. Looking for Laika – Laura Mauro
  9. A Good Citizen – Anne Charnock
  10. Mercury Teardrops – Jeff Noon
  11. The Nightingales in Plàtres – Natalia Theodoridou
  12. The Road to the Sea – Lavie Tidhar
  13. When I Close My Eyes – Chris Barnham
  14. Targets – Eric Brown
  15. London Calling – Philip A. Suggars
  16. The Last Word – Ken Macleod
  17. Voicemail – Karen McCreedy
  18. Green Boughs Will Cover Thee – Sarah Byrne
  19. Airless – N.J. Ramsden
  20. Product Recall – Robert Bagnall
  21. The Endling Market – E. J. Swift


Ellen Datlow picked my story for Best Horror #10

It’s with a certain amount of disbelief that I announce that Ellen Datlow has selected one of my stories, ‘Eqalussuaq’, for THE BEST HORROR OF THE YEAR VOLUME TEN, which will be published by Nightshade Books. The story was first published in Not One of Us #58 in October 201, so thanks are also due to NOoU editor John Benson.

I don’t know if writers are supposed to play it cool about this sort of thing, but I’ve overjoyed as well as overwhelmed! To give some context, here’s a blurb about the BEST HORROR series from the Nightshade website:

“It’s no exaggeration to say that since its first volume in 2009, this series has compiled the absolute best horror short fiction published each year. Every volume has featured a wide variety of stories by well-known authors, from luminaries like Neil Gaiman, Stephen King, and Richard Matheson, to genre figures as Catherynne M. Valente, John Langan, and Brian Hodge.”

The full table of contents for Volume Ten is below. I can’t tell you how happy I am that my story will appear alongside stories by so many writers whose work I love!

Better You Believe – Carole Johnstone
Liquid Air – Inna Effress
Holiday Romance – Mark Morris
Furtherest – Kaaron Warren
Where’s the Harm? – Rebecca Lloyd
Whatever Comes After Calcutta – David Erik Nelson
A Human Stain – Kelly Robson
The Stories We Tell about Ghosts – A. C. Wise
Endosketal – Sarah Read
West of Matamoros, North of Hell – Brian Hodge
Alligator Point – S. P. Miskowski
Dark Warm Heart – Rich Larson
There and Back Again – Carmen Machado
Shepherd’s Business – Stephen Gallagher
You Can Stay All Day – Mira Grant
Harvest Song, Gathering Song – A. C. Wise
The Granfalloon – Orrin Grey
Fail-Safe – Philip Fracassi
The Starry Crown – Marc E. Fitch
Eqalussuaq – Tim Major
Lost in the Dark – John Langan

And here’s the awesome cover!

100 films I love right now

I’ve made a top 100 film list. I’ve tried to avoid objectivity or the temptation to pick ‘greatest’ films – instead I’ve tried to capture a snapshot of my tastes right now. I’ve tried not to pay attention to what would be my usual choices or agonise too much over my selection. I use Flickchart, so I had a starting point of a list of pretty much all the films I’ve seen, theoretically in ranked order – but to make this list I’ve cherry-picked only the films that are currently on my mind or that, when I see their titles, I want to rewatch immediately. It’s a skewed list, featuring lots of films I’ve seen for the first time in the last year or so – if I made a similar list next year, I’d guess that more than a quarter of the titles would be different. It’ll be interesting to see whether e.g. A Cottage on Dartmoor or The Swimmer stay with me.

I’ve listed the films in chronological order, which reveals a surprise: 11 of the films in this list were released this century. It’s notable that most of these recent titles are very downbeat and slow-paced – I hadn’t quite realised this is so clearly a factor in my tastes in modern cinema.

The director who appears most is Hitchcock, predictably. There are three by: Ingmar Bergman, Francis Ford Coppola, Luis Buñuel, F.W. Murnau and Nicholas Ray. There are two each by: Buster Keaton, Carl Theodor Dreyer, David Lynch, Henri-Georges Clouzot, Jacques Tourneur, Jerzy Skolimowski, Robert Bresson, Roman Polanski, Thomas Vinterberg, Werner Herzog, Wim Wenders and Andrei Tarkovsky.

Here’s the full list:

Continue reading 100 films I love right now

Two new stories and an audio recording

I’ve been lax about mentioning publications recently. Time for a roundup.

‘To Ashes, Dust’ is one of my series of Mars stories featuring crawler bases, shifting sand dunes and ‘aye-aye’ robots. It’s been published in Theaker’s Quarterly Fiction #61, available to download for free or to buy as a print copy for just over £3. Des Lewis has reviewed the issue and had this to say about my story:

“In a relatively short space, this moving story of a base on Mars captured me, even with its bespoke names for various factors, like the robots employed, and again, with this set of fictions, a treatment of old men and death, and an amazing concept of moving sand dunes that really NEEDS reading about to be inspired as I became by it and by what the dunes can contain.”

‘The Pale Shadow and the Conjuror’ is my first sale of a mystery story – it’s been printed in Mystery Weekly.

‘For a Tooth’, a spoofy space-opera flash story first published in Every Day Fiction, has been recorded as an audio reading – you can listen to it free at 600 Second Saga.
(Or via several other routes: iTunes, Stitcher, YouTube, Facebook, Twitter)



Short story collection: AND THE HOUSE LIGHTS DIM

Luna Press have released some more details about my first collection of short stories, which will be published in 2019 as part of the ‘Harvester’ series. It’s called AND THE HOUSE LIGHTS DIM and features strange stories about houses, homes and family.

Here’s my statement about the collection in full:

AND THE HOUSE LIGHTS DIM is my first collection of short stories, which were written over a three-year period. They’re pretty diverse, spanning weird fiction, horror and SF – but I confess that when I wrote them they seemed more diverse than they really are. It was only recently that I realised just how prevalent particular themes have been in my writing: houses, homes and family.

Perhaps it’s no surprise. The earliest of the stories was written when my wife was pregnant with our first child; one of the novellas was written in a mad hurry in the weeks before his birth; nowadays I write in a fog of fatigue due to my second child’s sleepless nights. I think about family constantly and as a freelance editor I’m trapped in my home for the greater part of every day.

In this collection are stories about a sentient house overprotective of its new occupants, a supernatural Greenland shark that attacks a family via sound, a married couple alone on a lengthy space flight, two young girls who live in isolation and in fear of the world beyond their walls, a camping trip that turns a family feral, a post-apocalyptic Center Parcs, a man who has defragmented his mind and another who splices a rival’s brain patterns onto his own.

Most of the stories have been published in various places, including Interzone, Not One of Us, The Literary Hatchet and anthologies published by Fox Spirit, Jurassic London and Hic Dragones. ‘Carus & Mitch’ was previously published as a standalone novella by Omnium Gatherum and was shortlisted for a This Is Horror Award in 2015. People have been very nice about it: Lynda Rucker said it was a ‘compelling, unconventional page-turner… blending a John Wyndham-esque melancholy with a dose of existential despair’. Adam Roberts called it ‘punchy and scary and tense and genuinely moving’ and James Everington said it was ‘an intimate, original, and character-driven take on the post-apocalyptic genre’, all of which made me feel awfully proud.

Publication announcement: my first collection of short stories

A new announcement for the new year: I’m delighted to be able to say that my first collection of short stories will be published as part of the ‘Harvester’ series from Edinburgh-based Luna Press, alongside collections by four brilliant authors. Find out more here – and Luna Press will be revealing more details on 11th January.

Tim Major – author & editor

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